Performance
REVIEW: 3 WEST END MUST SEES
REVIEW: 3 WEST END MUST SEES
It’s turning into rather a special winter in London theatre with a number of notable productions competing for your attention and wallet.
 
Michael Grandage is one of very few directors in history whose popularity warrants his taking over a big venue for an entire year. He’s taken up residency at the Noel Coward Theatre to present a series of star studded productions kicking off with Simon Russell Beale as the cross-dressing leader of an entertainment troup in post-WW2-Malaya, in a revival of Privates on Parade. He originally directed it at the Donmar Warehouse and during his time as artistic director there he established an unwavering house style in which excellent actors play texts simply and directly in shafts of light on a sparsely furnished stage. Time and again this approach has proved revelatory when top actors have embraced a concept that presents their performances and the script in high definition. So it proves again. An excellent cast give full value to writer Peter Nicholls’ dramatisation of a group of social misfits, several of them openly gay, deployed to entertain the troups in squalid and then terrifying wartime conditions. The players’ attempts at glamour against the odds is full of pathos and often laugh-out loud funny. The fact that they aren’t very good but try so hard is superbly epiomised by Russell Beale fronting shoddy musical numbers in shabby drag whilst a bloody and pointless conflict rages around him. Highly recommended.
 
In contrast, at the Old Vic, the musical staging is premiere league, as you would expect from a revival of the 1950’s Broadway classic, Kiss Me Kate, from legendary director Trevor Nunn and celebrated choreographer Stephen Mear with terrific new musical arrangements of Cole Porter’s songs from Gareth Valentine. It’s a story of a beleaguered company of actors trying out a musical of Shakespeare’s Taming of the Shrew in a sweltering Baltimore Theatre where the off stage sparring of its stars begins to mirror that of the characters they play. The emphasis is on comedy when a mix-up over a gambling debt and the multiple infidelities of the performers introduce gangsters and a presidential campaign into proceedings. I love this show and have enjoyed several first class revivals. On this occasion the wise cracking script is played a little too carefully to catch fire but the singing and dancing from this charismatic cast will send you out into the winter night with a smile on your face.
 
If you love great Shakespearean acting then you’ll relish the current production of Julius Caesar at the Donmar Warehouse where Harriet Walters in the male role of Brutus and Francis Barber as Caesar are so skilled that you soon forget they’re the wrong sex. Indeed the whole female cast are so convincing in Shakespeare’s tale of vaulting ambition and civil war that there’s no need for Phyllida Lloyd’s distracting women’s prison setting. I wish she’d just let these extraordinary actors, usually excluded from the chance of great classical rolls by their gender, get on with playing the story. There are two all male Shakespeare productions currently playing at the Duke of York’s Theatre. I hope the next step is a production where the best actors for the roles are cast regardless of whether they’re male or female. This revival proves the plays are quite robust enough to take it. A word of caution, Lloyd’s prison concept extends to you having to watch from plastic chairs for over two hours without an interval. I found the discomfort very distracting.
 

Privates on Parade **** (Four Stars)
Noel Coward Theatre, December 1-March 2
Author: Peter Nichols, Denis King (music)
Director: Michael Grandage
Cast includes: Simon Russell Beale, John Marquez, Joseph Timms, Sam Swainsbury, Harry Hepple, Angus Wright

Kiss Me Kate **** (Four Stars)
The Old Vic, London
Cast:Adam Garcia, Alex Bourne, Hannah Waddingham, David Burt, Clive Rowe
Director: Trevor Nunn
Design: Robert Jones
Choreography: Stephen Mear
Musical direction: Gareth Valentine
 
Julius Caesar *** (Three Stars)
The Donmar Warehouse
Donmar Warehouse, November 29-February 9
Author: William Shakespeare
Director: Phyllida Lloyd
Cast includes: Harriet Walter, Jenny Jules, Frances Barber, Cush Jumbo, Ishia Bennison, Clare Dunne, Charlotte Josephine, Jen Joseph, Carrie Rock

You can buy tickets to Kiss Me Kate and loads of other shows here from our secondary ticketing partner Viagogo,


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